skip to content rich footer

stevenclark.com.au

subscibe to the StevenClark.com.au rss feed

Why Generic Stock Photographs of Personnel Suck

When a business uses generic stock photography of office personnel it tells me nothing. It’s a brand-less incoherent mumble about a triviality.

OK they’re a business? That was already my expectation – do I need to tell you that I’m a human when we meet for a coffee?

Because if every element on a web page needs justification to be there, then please explain why those banners exist? What do they actually say about that business in comparison to its competitors? That they were too lazy or bored to get past page 10 at iStockPhoto?

Hundreds or even thousands of international businesses may be using that same image or something from the same photography set… which to a business is a really bad idea. We all get that, right?

To achieve an effective web design the question that needs to be asked is: “can they effectively identify their online value proposition to me as a customer within the web design?”

They need to sell me on something – they need to show me their magic… What can they do for me – Steven Clark, here, now and today? Can they convince me to give them my money?

So think about that for a second. Suppose for a minute that you walk into a clothes shop to buy a new coat and the assistant approaches you and shows you a magazine picture of three strange Americans smiling and putting coats onto hangers… does that really work? Or did that sales assistant miss a good half minute of being able to shake your hand and sell you their proposition?

However, please don’t comment here to say that’s how branding works… that we’re looking at these types of polished photographs in all of our advertising. That would be bullshit… because branding is about differentiation and it’s not about generic messages. They are the opposite. The opposite.

And when you think about it on that level it should be clear to everyone why generic stock photographs of personnel suck.

2 Responses to “Why Generic Stock Photographs of Personnel Suck”

  1. Nicolas

    “That they were too lazy or bored to get past page 10 at iStockPhoto?”

    It’s clear we see same photos on every website with a beautiful smiling girl…

  2. steven

    With the money spent on website development its strange how even on the bigger projects a little saving on “images” sends designers to iStockPhoto or worse – Flickr and PhotoBucket.

    I guess its our job to say (a) invest in a decent camera and let us compile our own quality photography repository (b) hire a professional photographer, or (c) at least pay the license for unique rights to use a photo…

    … and the photo should say more than “Hey I’m a Photo” ha ha. That receptionist must get people pulling her up in the street asking “Haven’t I seen you before?”… “somewhere?”

Social Networking

Keep an eye out for me on Twitter

About the Author

Steven Clark Steven Clark - the stand up guy on this site

My name is Steven Clark (aka nortypig) and my passions are business, web development, photography and writing. I have an MBA (Specialisation) and a Bachelor of Computing from the University of Tasmania. Currently completing a Grad Dip in Journalism, Media & Communications.

Photography

My photography is at Steven Clark Studio and my regular photo blog presents an ongoing stream of latest images at Walk a Mile in my Shoes and I'm working on a long-term photography project called the King Island Project.

Recently Reviewed Books

Site Supporters

Hosted by Brett Drinkwater at Tashosting who is always there at the other end of my every inconvenient question and technical crisis. Brett's local community support for us over the last five years is greatly appreciated.

skip to top of page

Currently Reading

Ansel Adams: The Camera

As the first of three parts of Ansel Adams Photography Series, Ansel Adams: The Camera begins by discussing the idea of visualisation in relation to photography. Ansel Adams is a master of his craft; this series has sat on my backburner for some time. Book 2 in this series is The Negative and it's followed up by The Print. In them Ansel outlines his philosophy of photography rather than trying to lay down a set of rules. This first instalment is a technical book that explains the good old fashion film camera.