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World Harvest and Natural Grid Calendars

I sent two December desktop wallpapers into Smashing Magazine this month titled World Harvest and Natural Grid. They’re a little dark and moody.

World Harvest: a graphic novella relates to a side project that I’m working on over the summer (which has slipped by the way a little over the last week). It’s based on a dark future only a few decades further into our current misdirection.

World Harvest, December 2008 Wallpaper Calendar

Natural Grid uses a photograph of the Tesselated Pavement at Eagle Hawk Neck in Tasmania. The grid is carved out of solid rock over time by the action of the ocean and salt.

Natural Grid, December 2008 Wallpaper Calendar based on Tesselated Pavement

I’ve also uploaded a 1024 x 768 version of each for those who don’t run higher resolutions. World Harvest calendar at 1024 x 768 and World Harvest no calendar at 1024 x 768. And Natural Grid calendar at 1024 x 768 and Natural Grid no calendar at 1024 x 768.

The wallpapers will be available here until New Year’s Eve.

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About the Author

Steven Clark Steven Clark - the stand up guy on this site

My name is Steven Clark (aka nortypig) and my passions are business, web development, photography and writing. My current CV [PDF 619KB] is available for download. I have an MBA (Journalism and Media Studies) and a Bachelor of Computing from the University of Tasmania.

Photography

My photography is at Steven Clark Studio and my regular photo blog presents an ongoing stream of latest images at Walk a Mile in my Shoes and I'm working on a long-term photography project called the King Island Project.

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Currently Reading

Ansel Adams: The Camera

As the first of three parts of Ansel Adams Photography Series, Ansel Adams: The Camera begins by discussing the idea of visualisation in relation to photography. Ansel Adams is a master of his craft; this series has sat on my backburner for some time. Book 2 in this series is The Negative and it's followed up by The Print. In them Ansel outlines his philosophy of photography rather than trying to lay down a set of rules. This first instalment is a technical book that explains the good old fashion film camera.